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Rizzi, Marco

Picture: Rizzi, Marco

Milan (Italy), 1967. "He is a top class violinist with an extensive pallete of sound, beautiful technique and fascinating legato cantabile; a surprisingly honest and mature musician..." (STRAD). Starting with the 2007-2008 academic year, Marco Rizzi is Head of the Violin Chair of the Reina Sofía School of Music. Prizewinner in three of the most prestigious violin competitions: Moscow Tchaikovsky, Brussels Queen Elizabeth and the Indianapolis Violin Competition, Marco Rizzi is highly respected for the quality, forcefulness and deepness of his performances. Pupil of G. Magnani, S. Accardo and W.Lieberman, obtained in 1991 the Europäischen Musikförderpreis with the endorsement of Claudio Abbado. He is regularly invited to the most prestigious halls such as the Scala in Milan, Gaveau and Pleyel Halls in Paris, Lincoln Center in New York, Grand Hall at Moscow's Conservatory, Musikhalle in Hamburg, Tivoli in Copenhagen, Concertgebouw in Amsterdam, Konzerthaus in Berlin. He has performed with conductors such as R.Chailly, H. Vonk, A. Ceccato, V. Jurowski, P. Eötvös and orchestras such as Dresden Staatskapelle, Indianapolis Symphony, Liverpool Philharmonic, Concerts Lamoreux, Hong Kong Philharmonic, Rotterdam Philharmonic, Madrid RTVE Symphony, Scottish BBC, Nederland's Philharmonic, and many others. Marco Rizzi each year enriches his repertory with a new. He has a vivid interest for less-known repertory pieces: B. Walter's Sonata, J. Adams Concerto, or Italian 19th Century, greatly acclaimed by the music world music together with his recordings of J. S. Bach sonatas and partitas. He has a special passion for chamber music and pedagogy. He has been Head Professor at Detmold and gives Master Classes at Enghien and Biella. Since 2008-2009 he is Head Professor at Mannheim. Marco Rizzi plays a 1742 Pietro Guarneri violin on loan from the Pro Canale Onlus Foundation. Since the 2007-2008 academic year, Rizzi is Head Professor of the Violin Chair of the Reina Sofía School of Music.

Biography

MOZART, Wolfgang Amadeus

Picture: MOZART, Wolfgang Amadeus

Salzburg, 1756 - Vienna, 1791. Austrian composer from the Classical period. Regarded as one of the most prominent in the history of Western music. Born in Salzburg on 27 January 1756, baptized as Johannes Chrysostomus Wolfgang Amadeus Mozart. Studied with his father Leopold Mozart, a renowned composer and violinist who had a post at the court orchestra of the Archbishop of Salzburg. At the age of six Mozart was already a master keyboard player, an accomplished violinist, and showed extraordinary improvisation and sight-reading abilities.The five small pieces he composed at that age are still performed today. In 1762 Leopold took his son on performance tours to several courts in Europe. During that time he composed sonatas, for both hapsichord and violin (1763), a symphony (1764), an oratorio (1766) and the comic opera 'La finta semplice' (1768). In 1769 was appointed Konzertmeister at the Archbishopric of Salzburg, and at the Scala di Milano, Pope Clemens XIV created Mozart a Knight of the Golden Spur. That same year he composed 'Bastien und Bastienne', his first singspiel (an opera, usually comic and in German with spoken dialogue). The following year he was commissioned to compose his first opera, 'Mitridate, re di Ponto', which he wrote in Milan. That piece contributed to consolidate his reputation as an extraordinary musician. Mozart returned to Salzburg in 1771. His post in the city was not remunerated, but it allowed him to compose a great number of important works, that is, undermining his finances. In 1777 he was given permission to engage in a concerts tour, and he set out to Munich with his mother. At twenty-one, Mozart travelled the courts of Europe with the purpose to find a well-paid and satisfactory employment, but he didn't succeed. He went to Mannheim, the musical capital of Europe at the time, with the aim of finding a position in the orchestra, and there fell in love with Aloysia Weber. Leopold sent his wife and son to Paris. His mother's death in the French capital in 1778, together with Weber's rejection and the disdain from the aristocrats he worked for, made that two year period between his arrival in Paris and his return to Salzburg in 1779, one of the gloomiest in Mozart's life. Back in his hometown, Mozart composed two Masses and a great number of sonatas, symphonies and concertos. These works reveal, for the first time, a distinctive personal style and an exceptional musical maturity. The considerable success of his Italian opera 'Idomeneo, re di Creta', commissioned and composed in 1781, led to an invitation to visit the Archbishop of Salzburg in his palace in Vienna, but once there, Mozart felt offended at being treated like a servant and left. He then started teaching at a house that some friends rented for him. There he composed the singspiel 'Die Entführung aus dem Serail', commissioned in 1782 by Emperor Joseph II. The same year he married Constanze Weber, Alysia's younger sister; together they suffered chronic financial troubles until Mozart's death. The operas 'Le nozze di Figaro' (1786) and 'Don Giovanni' (1787), on librettos by Lorenzo Da Ponte, were not well received in Vienna in spite of having been a success in Prague. From 1787 until the creation of 'Così fan tutte' (1790, also on libretto by Da Ponte), Mozart didn't have any new commissions for operas. He composed 'La clemenza di Tito' for the coronation of emperor Leopold II in 1791, on a libretto by Metastasio. The great symphonies from 1788 No. 39 in E flat

Biography

  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in D major K 218 (violin and piano reduction)

    I. Allegro

    CLASS 3456: [O.V.: English-Spanish-Italian]

    Content

    Part - 3' 35''
    Part - 5' 37''
    Part - 48' 12''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in D major K 218 (violin and piano reduction)

    I. Allegro

    CLASS 4476: [O.V.: English]

    Content

    Part - 27' 35''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in D major K 218 (violin and piano reduction)

    I. Allegro

    CLASS 4487: [O.V.: English]

    Content

    Part - 15' 01''
    Part - 11' 12''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in D major K 218 (violin and piano reduction)

    I. Allegro

    CLASS 6516: [O.V.: English]

    Content

    Part - 1h 07' 27''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in D major K 218 (violin and piano reduction)

    II. Andante cantabile

    CLASS 4476: [O.V.: English]

    Content

    Part - 5' 17''
    Part - 5' 40''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in D major K 218 (violin and piano reduction)

    II. Andante cantabile

    CLASS 4487: [O.V.: English]

    Content

    Part - 4' 45''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in D major K 218 (violin and piano reduction)

    II. Andante cantabile

    CLASS 6516: [O.V.: English]

    Content

    Part - 15' 02''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in B flat major K 207 (violin and piano reduction)

    II. Adagio

    CLASS 3278: [O.V.: English]

    Content

    Part - 25' 26''
    Part - 0' 48''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in B flat major K 207 (violin and piano reduction)

    III. Presto

    CLASS 3278: [O.V.: English]

    Content

    Part - 13' 15''
    Part - 10' 54''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in G major K 216 (violin part)

    I. Allegro

    CLASS 6355: [O.V.: English]

    Content

    Part - 13' 26''
    Part - 27' 05''
    Part - 7' 38''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in A major K 219 (violin and piano reduction)

    I. Allegro aperto

    CLASS 3577: [O.V.: English]

    Content

    Part - 7' 59''
    Part - 21' 31''
    Part - 19' 33''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in A major K 219 (violin and piano reduction)

    I. Allegro aperto

    CLASS 3649: [O.V.: English]

    Content

    Part - 21' 42''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in A major K 219 (violin and piano reduction)

    I. Allegro aperto

    CLASS 4485: [O.V.: English]

    Content

    Part - 9' 21''
    Part - 6' 44''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in A major K 219 (violin and piano reduction)

    I. Allegro aperto

    CLASS 4488: [O.V.: English]

    Content

    Part - 9' 19''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in A major K 219 (violin and piano reduction)

    III. Rondeau. Tempo di Minuetto

    CLASS 3648: [O.V.: English]

    Content

    Part - 3' 08''
    Part - 15' 38''
    Part - 21' 24''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in A major K 219 (violin and piano reduction)

    III. Rondeau. Tempo di Minuetto

    CLASS 6465: [O.V.: English]

    Content

    Part - 2' 54''
    Part - 0' 55''
    Part - 49' 08''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in A major K 219 (violin and piano reduction)

    II. Adagio

    CLASS 4485: [O.V.: English]

    Content

    Part - 4' 58''
    Part - 18' 22''
  • MOZART | Rizzi < Violin

    Concerto for violin and orchestra in A major K 219 (violin and piano reduction)

    II. Adagio

    CLASS 4534: [O.V.: English]

    Content

    Part - 9' 35''
  • MOZART | Rizzi < Violin

    Rondo for violin and orchestra in C major K 373 (violin and piano reduction)

    CLASS 4535: [O.V.: English]

    Content

    Part - 29' 13''
    Part - 28' 54''

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